“Faith” is one of the most profound and complex Mandalas created so far by Giada Zammitti; and also, one of the most difficult to translate into ordinary language. This is due to the very nature of its theme, faith, which is, first of all, an oxymoron. Faith, in fact, is a continuous dialectical clash between doubt and certainty, and this interplay is emphasized in the work.
Firstly, let me premise this by saying that, in this specific context, the term “faith” is used in its more general sense, thus, as “the intentional act of believing, more or less strongly, in an assumption.”
Chromatically, it’s prominent the use of purple, magenta, cyan, orange, and green. According to chromology, i.e. the discipline that studies the interpretation of colours, each colour corresponds to a specific mood, either positive or negative; therefore, as the theme is ‘faith’, each colour lends itself to taking on a dual property; however, in the end, it is always the positive, luminous and uplifting aspect that prevails.
Thus, on the one hand, purple expresses ignorance and chaotic change; on the other, spirituality, wisdom, transformation. Magenta, on the one hand, expresses weariness and stagnation; on the other, strength and action. Cyan, on the one hand expresses intellectual cloudiness; on the other, mental clarity. Orange, boredom and passiveness on the one hand; enthusiasm and activity on the other. Finally, green, imbalance and blockage; and balance and fluidity.
The chromatic counterpoint is harmonised in the arabesques of the seven circular regions radiating out from the centre, with a powerful, almost hypnotic musicality of tones and counter tones.
To a simpler outlook, the mandala responds with the irresistible suggestion to contemplate the doubt and certainty that are the warp and woof of all human existence.
In short, faith, which, if genuine, as such is the premise of the mandala, is an irresistible force against all adversity, and it always wins.
This Mandala is perfect for anyone with an active and vibrant inner life.”
WHAT IS A MANDALA
A mandala is a sacred geometric design that originated in ancient religious and spiritual traditions. It is often depicted as a circle with intricate patterns and symbols radiating from the center. The word “mandala” comes from the Sanskrit word for “circle,” and it represents the universe or the sacred space within it.
Mandalas are used as tools for meditation, spiritual reflection, and personal growth. They are believed to help individuals connect with their inner selves, find balance and harmony, and tap into a higher state of consciousness.
The design of a mandala is highly symbolic. The circular shape represents wholeness and unity, reminding us of the interconnectedness of all things. The center of the mandala is considered the focal point, representing the center of our being or the divine essence within us.
Creating or engaging with mandalas can be a transformative practice, offering a pathway to inner peace, self-discovery, and spiritual growth.
“Faith” is one of the most profound and complex Mandalas created so far by Giada Zammitti; and also, one of the most difficult to translate into ordinary language. This is due to the very nature of its theme, faith, which is, first of all, an oxymoron. Faith, in fact, is a continuous dialectical clash between doubt and certainty, and this interplay is emphasized in the work.
Firstly, let me premise this by saying that, in this specific context, the term “faith” is used in its more general sense, thus, as “the intentional act of believing, more or less strongly, in an assumption.”
Chromatically, it’s prominent the use of purple, magenta, cyan, orange, and green. According to chromology, i.e. the discipline that studies the interpretation of colours, each colour corresponds to a specific mood, either positive or negative; therefore, as the theme is ‘faith’, each colour lends itself to taking on a dual property; however, in the end, it is always the positive, luminous and uplifting aspect that prevails.
Thus, on the one hand, purple expresses ignorance and chaotic change; on the other, spirituality, wisdom, transformation. Magenta, on the one hand, expresses weariness and stagnation; on the other, strength and action. Cyan, on the one hand expresses intellectual cloudiness; on the other, mental clarity. Orange, boredom and passiveness on the one hand; enthusiasm and activity on the other. Finally, green, imbalance and blockage; and balance and fluidity.
The chromatic counterpoint is harmonised in the arabesques of the seven circular regions radiating out from the centre, with a powerful, almost hypnotic musicality of tones and counter tones.
To a simpler outlook, the mandala responds with the irresistible suggestion to contemplate the doubt and certainty that are the warp and woof of all human existence.
In short, faith, which, if genuine, as such is the premise of the mandala, is an irresistible force against all adversity, and it always wins.
This Mandala is perfect for anyone with an active and vibrant inner life.”
WHAT IS A MANDALA
A mandala is a sacred geometric design that originated in ancient religious and spiritual traditions. It is often depicted as a circle with intricate patterns and symbols radiating from the center. The word “mandala” comes from the Sanskrit word for “circle,” and it represents the universe or the sacred space within it.
Mandalas are used as tools for meditation, spiritual reflection, and personal growth. They are believed to help individuals connect with their inner selves, find balance and harmony, and tap into a higher state of consciousness.
The design of a mandala is highly symbolic. The circular shape represents wholeness and unity, reminding us of the interconnectedness of all things. The center of the mandala is considered the focal point, representing the center of our being or the divine essence within us.
Creating or engaging with mandalas can be a transformative practice, offering a pathway to inner peace, self-discovery, and spiritual growth.