Guardian of the forest

“There is no writer, poet, painter, artist in general, who has not dedicated one or more works to the cat.
In this digital artwork, Giada Zammitti interprets the essence of catness, that is, the spirit that has always made the cat a metaphysical creature, an interface between this and the higher states of Being, a living bridge.
The cat is connoted by immaculate purity, magical beauty, hypnotic eyes, and majestic and playful gait; he is powerful, without ever manifesting violence; in him, and through him, we get a hint of eternity, because his whole being is an instant without duration.

In this magnificent work of digital art, a gigantic black cat, whose eyes vibrate with a hypnotic and bewitching density, towers over and imposes himself. It is the synthesis of its surroundings, its supreme symbol. The three imposing trees among which it lies seem to guard its sacredness, against the backdrop of an immaculate forest, illuminated by a light that blends the radiance of dawns and the tranquility of sunsets.
The maiden with her back turned, the only human presence allowed in this otherworld, contemplates this manifestation of the Sacred with awe, resting her open hands on one of the trees and acting as a portal between the human and the worlds of pure majesty. Her white dress suggests her inner purity, a necessary condition for her task as “guardian of the Sacred Forest.”
The glimmers of the forest are punctuated by drifting shimmers, which seem to dance festively around the King, his pure majesty, the Cat.

In summary, this is an aesthetically masterful and symbolically perfect work.”

Guardian of the forest

“There is no writer, poet, painter, artist in general, who has not dedicated one or more works to the cat.
In this digital artwork, Giada Zammitti interprets the essence of catness, that is, the spirit that has always made the cat a metaphysical creature, an interface between this and the higher states of Being, a living bridge.
The cat is connoted by immaculate purity, magical beauty, hypnotic eyes, and majestic and playful gait; he is powerful, without ever manifesting violence; in him, and through him, we get a hint of eternity, because his whole being is an instant without duration.

In this magnificent work of digital art, a gigantic black cat, whose eyes vibrate with a hypnotic and bewitching density, towers over and imposes himself. It is the synthesis of its surroundings, its supreme symbol. The three imposing trees among which it lies seem to guard its sacredness, against the backdrop of an immaculate forest, illuminated by a light that blends the radiance of dawns and the tranquility of sunsets.
The maiden with her back turned, the only human presence allowed in this otherworld, contemplates this manifestation of the Sacred with awe, resting her open hands on one of the trees and acting as a portal between the human and the worlds of pure majesty. Her white dress suggests her inner purity, a necessary condition for her task as “guardian of the Sacred Forest.”
The glimmers of the forest are punctuated by drifting shimmers, which seem to dance festively around the King, his pure majesty, the Cat.

In summary, this is an aesthetically masterful and symbolically perfect work.”