“A mysterious mandala, like its theme, which is the most profound of mysteries.
The play of colors, perhaps even before the shapes, hints at a multidimensionality, both spatial and temporal. If one observes it carefully, the six/seven circular environments, which develop around the central helicoid, seem to vibrate like notes of music in a line between a space of the here, and one of the elsewhere. Everything rotates and is still at the same time; it vibrates and is frozen in the instant that remains and in that which flows. Time and eternity.
In the case of this work, it is almost impossible to determine which is the periphery and which the center; which the beginning and which the end.
Let us start, however, from the geometric center.
A blue helicoid rotating around a circular space, but whose fulcrum remains motionless. Perennial motion and absolute stasis; the archetype of the Cosmos.
Immediately around, two chaplets of “objects” that cannot be defined except as pure potentialities, as possibilities of events.
The light, in the helix of the third environment, seems to overflow from an unknown source, and mow down the blue of the crown above, but without hurting, and rather with a kind of sharp caress.
The upper wheel describes the endless sea of happenings, the silhouettes of the waves evident.
The penultimate disk is jagged, depicting the boundary of the indeterminate, the elusive, the unfathomable.
Finally, the last crown, blurred, surrounded by vague glimmers, inlaid with seemingly familiar “objects,” pentagons and triangles wandering at the extreme edges of the conceivable.
Beyond, in the frame, absolute, primordial darkness.
Well, the whole structure is a representation of Death, which is not a fact, an event, but a process. Which awaits each of us, as the end of one cycle and the beginning of another.
This work of art is an overlook into the great mystery; dark and bright at the same time, in it, time collapses into eternity.
For refined minds.”
WHAT IS A MANDALA
A mandala is a sacred geometric design that originated in ancient religious and spiritual traditions. It is often depicted as a circle with intricate patterns and symbols radiating from the center. The word “mandala” comes from the Sanskrit word for “circle,” and it represents the universe or the sacred space within it.
Mandalas are used as tools for meditation, spiritual reflection, and personal growth. They are believed to help individuals connect with their inner selves, find balance and harmony, and tap into a higher state of consciousness.
The design of a mandala is highly symbolic. The circular shape represents wholeness and unity, reminding us of the interconnectedness of all things. The center of the mandala is considered the focal point, representing the center of our being or the divine essence within us.
Creating or engaging with mandalas can be a transformative practice, offering a pathway to inner peace, self-discovery, and spiritual growth.
“A mysterious mandala, like its theme, which is the most profound of mysteries.
The play of colors, perhaps even before the shapes, hints at a multidimensionality, both spatial and temporal. If one observes it carefully, the six/seven circular environments, which develop around the central helicoid, seem to vibrate like notes of music in a line between a space of the here, and one of the elsewhere. Everything rotates and is still at the same time; it vibrates and is frozen in the instant that remains and in that which flows. Time and eternity.
In the case of this work, it is almost impossible to determine which is the periphery and which the center; which the beginning and which the end.
Let us start, however, from the geometric center.
A blue helicoid rotating around a circular space, but whose fulcrum remains motionless. Perennial motion and absolute stasis; the archetype of the Cosmos.
Immediately around, two chaplets of “objects” that cannot be defined except as pure potentialities, as possibilities of events.
The light, in the helix of the third environment, seems to overflow from an unknown source, and mow down the blue of the crown above, but without hurting, and rather with a kind of sharp caress.
The upper wheel describes the endless sea of happenings, the silhouettes of the waves evident.
The penultimate disk is jagged, depicting the boundary of the indeterminate, the elusive, the unfathomable.
Finally, the last crown, blurred, surrounded by vague glimmers, inlaid with seemingly familiar “objects,” pentagons and triangles wandering at the extreme edges of the conceivable.
Beyond, in the frame, absolute, primordial darkness.
Well, the whole structure is a representation of Death, which is not a fact, an event, but a process. Which awaits each of us, as the end of one cycle and the beginning of another.
This work of art is an overlook into the great mystery; dark and bright at the same time, in it, time collapses into eternity.
For refined minds.”
WHAT IS A MANDALA
A mandala is a sacred geometric design that originated in ancient religious and spiritual traditions. It is often depicted as a circle with intricate patterns and symbols radiating from the center. The word “mandala” comes from the Sanskrit word for “circle,” and it represents the universe or the sacred space within it.
Mandalas are used as tools for meditation, spiritual reflection, and personal growth. They are believed to help individuals connect with their inner selves, find balance and harmony, and tap into a higher state of consciousness.
The design of a mandala is highly symbolic. The circular shape represents wholeness and unity, reminding us of the interconnectedness of all things. The center of the mandala is considered the focal point, representing the center of our being or the divine essence within us.
Creating or engaging with mandalas can be a transformative practice, offering a pathway to inner peace, self-discovery, and spiritual growth.